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Le silence de Lazare : méditation sur une résurrection
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ISBN: 9782220037660 2220037665 Year: 1996 Publisher: Paris: Desclée De Brouwer,

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Graphè
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ISSN: 21100624 ISBN: 9782848322742 2848322748 Year: 2014 Volume: 26 Publisher: Arras Artois Presses Université

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Dans le Nouveau Testament, Jean est le seul évangéliste à relater la résurrection de Lazare. Le dernier « signe » donné par Jésus met en scène la condition mortelle de l’homme. Cette katabase chrétienne possède une forte charge symbolique. S’il revient à la vie, Lazare n’en demeure pas moins mystérieux et suscite nombre d’interrogations. Son silence sur le séjour dans l’au-delà fait de l’épisode johannique un récit ouvert que la postérité ne manquera pas de questionner et d’interpréter. C’est moins le personnage lui-même que l’événement dont il est le bénéficiaire qui en a assuré la notoriété.Le vingt-sixième volume de la collection Graphè rassemble treize études. La longue péricope (Jn 11, 1-44) donne lieu à une riche analyse exégétique. Puis, dans une perspective diachronique et une démarche interdisciplinaire, sont abordées différentes relectures du miracle dans les mondes juif et chrétien, de l’époque patristique jusqu’à la littérature contemporaine (Zola, Genevoix, Barbusse, Dorgelès, Bataille, Giono, Ramuz, Borges, Marilynne Robinson…). Une étude sur les sarcophages paléochrétiens et une autre sur la peinture italienne de la Renaissance complètent ce panorama.


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Studien zum Kulturkontext der liturgischen Szene : Lazarus und Judas als religiöse Volksfiguren in Bild und Brauch, Lied und Legende Südosteuropas
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ISBN: 3700118139 9783700118138 Year: 1991 Volume: 216 Publisher: Wien Österreichische Akademie der Wissenschaften

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Auferstehung und Leben : Joh 11,1-12,19 als Spiegel johanneischer Redaktions- und Theologiegeschichte
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ISBN: 3791711733 9783791711737 Year: 1988 Volume: 19 Publisher: Regensburg Pustet

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Concentrationary art : Jean Cayrol, the Lazarean and the everyday in post-war film, literature, music and the visual arts
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ISBN: 1785339710 Year: 2019 Publisher: New York ; Oxford : Berghahn,

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Introduction: Lazarus and the modern world / Max Silverman -- Lazarean dreams ; Lazarean literature / Jean Cayrol -- Lazarean writing in post-war France / Patrick ffrench -- The perpetual anxiety of Lazarus : the gaze, the tomb and the body in the shroud / Griselda Pollock -- Concentrationary art and the reading of everyday life : (in)human spaces in Chantal Akerman's Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles / Max Silverman -- Cinematic work as concentrationary art in Ressources humaines (Laurent -- Cantet, 1999) / Matthew John -- After haunting : a conceptualization of the Lazarean image / Benjamin Hannavy Cousen -- Lazarean sound : the autonomy of the auditory from Hanns Eisler (Nuit et Brouillard, 1955) to Susan Philipsz (Night and fog, 2016) / Griselda Pollock -- Concluding remarks / Griselda Pollock. Largely forgotten over the years, the seminal work of French poet, novelist and camp survivor Jean Cayrol has experienced a revival in the French-speaking world since his death in 2005. His concept of a concentrationary art - the need for an urgent and constant aesthetic resistance to the continuing effects of the concentrationary universe - proved to be a major influence for Hannah Arendt and other writers and theorists across a number of disciplines. Concentrationary Art presents the first translation into English of Jean Cayrol's key essays on the subject, as well as the first book-length study of how we might situate and elaborate his concept of a Lazarean aesthetic in cultural theory, literature, cinema, music and contemporary art.

The Lazarus story within the Johannine tradition
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ISBN: 1841271950 9781841271958 Year: 2001 Volume: 212 Publisher: Sheffield Sheffield academic press

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This historical-critical study of the Gospel of John and the First Epistle of John challenges the commonly held view that the first Johannine epistle is related to the Gospel. Sproston argues that the two writings are indirectly related through a common Johannine tradition. A comparison of the two therefore allows traditional material in the evangelist's work to be isolated, enhancing our understanding of the creative processes involved in its composition. The account of the raising of Lazarus is rigorously analysed as a test case for this kind of analysis.

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